I just came from a meeting with the creators of the Virtual Museum of the Gulag. They were very interested in how the question of intended audience changes the kind of digital project you create. I shared my experiences with the Open Collections Program and how we initially designed the collections versus how they are designed now (for a different audience).

Coincidentally, my friend, Megan Hurst just released the latest issue of her journal, Glimpse, and it has a great article on the modification of Google Earth and Google Maps into Google Moon and Google Mars and how it is used by both scientists and the general public. The author, Dr. Ross A. Beyer says:

Although the primary audience for the Moon and Mars in Google Earth is the general public, we’ve added enough information to make this tool useful for scientists and engineers as well. I can’t overstate how useful it is to be able to communicate via a shared, dynamic, interactive map.

You can read the whole article here.

There is a lot of discussion these days about the convergence of libraries, archives, and museums.The Center for the Future of Museums had a recent guest post on this topic, also introducing the IMLS-funded wiki on the same theme. The University of Calgary has actually merged its libraries and museums into what they are calling their Library and Cultural Resources, which also interestingly contains their university press.

This is all inevitable, I think, but it is really important to realize that this is not a convergence, but a re-convergence. If you look back far enough there was no difference between libraries and museums… or publishers for that matter. These were spaces for scholarship, regardless of the objects they held. And they were usually run by philosophers who spent much of their time assembling new editions and collected works (i.e., publishing).

It is easy to get caught in the newness of all of this and the result is that people get lost in the details (eg., what would an integrated search of library and museum catalogues look like?), or in why the convergence is happening now. Perhaps there is some value in looking at why these institutions separated in the first place? And the most important thing is to figure out what these institutions are converging around. (Hint: it isn’t technology, or services, or metadata, or economic sustainability, or even physical spaces…it is the thing that all of these elements purport to serve.)

After a piece in the New York Times about a school library trading in its books for a “digital center,” they gathered up some of the responses from students. Some were (for me anyway) quite heartening. I was happy to see that students have thought about the usability of digital textbooks, the difference between reading online and in print, and the different and nuanced purposes that libraries do and might serve. On one of my more critical days I might say they have thought about it more than many librarians.

The library is a place. A learning place. The Kindle, Nook, or iPad won’t change the library as long as things are learned.

I was in the midst of writing this on Lessig’s recent article on the Google Book Search Settlement when I received the latest “Wired Campus” email from the Chronicle. Oh, the irony. The top 2 news stories were about Stanford expanding their deal with Google and approving the latest version of the settlement; and about UCLA pulling some videos from their course site after being accused of copyright infringement because of some video clips.

Why is this ironic? Well, because in his recent piece in the New Republic about implications of the Google Books Search Settlement, Lessig worries that this debacle of not being able to quote snippets of video is where we are headed with texts. It is a long piece, but much of his argument can be summed up:

The deal constructs a world in which control can be exercised at the level of a page, and maybe even a quote. It is a world in which every bit, every published word, could be licensed. It is the opposite of the old slogan about nuclear power: every bit gets metered, because metering is so cheap. We begin to sell access to knowledge the way we sell access to a movie theater, or a candy store, or a baseball stadium. We create not digital libraries, but digital bookstores: a Barnes & Noble without the Starbucks.

Clearly the folks at the Chronicle didn’t read Lessig’s article.. or maybe they did…

Tags: ,

Discussions about ‘informal learning’ seem to be growing. I am interested because libraries and museums have always been really important spaces for informal and unstructured learning.

I think it is important to study and understand how it works, and why informal learning is good. But can you actually plan for information leaning? At some point if you are planning for it, doesn’t it in fact cease to be informal?

Seth Godin’s short post on the library of the future got a lot of librarians stirred up, which is how I found out about it. He criticizes the current model of libraries as “community-funded repositories for books that individuals don’t want to own (or for reference books we can’t afford to own)” and says it is unsustainable. The strange thing is that I think even the people who seem to agree with him get it wrong. (’It’, of course, being what libraries are and will be in the future.)

The comments and criticisms seem to fall into two categories. Either people get defensive, or they agree with his criticisms of the current state of the library and say that the answer lies in focusing more on the organisation of information and becoming an ‘information hub’ (i.e., libraries need more computers).

But the most important bit in Godin’s post is the last sentence:

What we need to spend the money on are leaders, sherpas and teachers who will push everyone from kids to seniors to get very aggressive in finding and using information and in connecting with and leading others.

This isn’t organising information and this isn’t more computers…not that there is anything wrong with either of those things, it’s just not what libraries need to focus on. Notice there isn’t a mention of these “leaders, sherpas and teachers” being librarians, but why shouldn’t they be? This reminded me of discussions I have been having with friends and colleagues about the future for libraries and librarians. As my friend Indy puts it, librarians should not be information managers, but agent provocateurs. This is what I think Godin is getting at. I don’t want to peddle information for a living. I want to make people think.

The New York Public Library recently redesigned their logo.
In their words, this was in an attempt to make a “new logo that is user-friendly, accessible, dynamic and relevant.”

The Library of Congress recently did the same. In both of these cases, the new logos are radically simple. There are practical reasons to go with a simple design. In the LoC case, you can tell they have thought a lot about how and where the logo would appear.

NYPL Before and After Logos

Image courtesy of the Brand New website: http://www.underconsideration.com/brandnew/archives/an_iconic_lion_for_an_iconic_institution.php

courtesy of Brand New: http://www.underconsideration.com/brandnew/archives/the_librabry_of_congress_gets_its_wings.php

courtesy of Brand New: http://www.underconsideration.com/brandnew/archives/the_librabry_of_congress_gets_its_wings.php

Yet there is something unsettling to me about both of these. Somehow these both seem dumbed-down. Does the new (eerily Disney-like) NYPL lion really seem more user-friendly and accessible? It seems to me that its cartoon-ish nature just makes it seem out of place, that it looses its connection with the lions outside its doors that originally inspired the logo. It just doesn’t represent the very complex, awe-inspiring place that does everything from provide services to recent immigrants, to host a reunion of the Velvet Underground and sends out strange Tweets with quotes from Roger Moore’s biography. In that way it isn’t user friendly, it is misleading.

Both of these cases seem also to  move away from a geographically-based icon to an object-oriented one. And I think that is a dangerous move for libraries these days. If information is getting more and more ubiquitous, don’t we need to remind people that libraries are in fact important as spaces as well (even if the spaces the libraries are creating might be virtual)?

It’s possible that I am reacting to a general dislike that I felt immediately for these new identities, but I just can’t shake the feeling that they both point to a trend. I am a huge fan of usability and accessibility, but I think these are both examples of something else entirely…something I can’t quite put my finger on. Am I over-reacting?

Last week the Google Book Search settlement was officially withdrawn from the US court where it was being decided, “in light of the parties’ plans to modify the Settlement Agreement”. With over 400 filings in response to the settlement the final document might end up looking significantly different. Brandon Butler, Legal and Policy Fellow for the Association of Research Libraries, has created a handy guide to the filings, summarizing the key reasons for support and objection and naming some of the more interesting “key supporters” (Cornell, Stanford University Libraries, American Association of People with Disabilities) “filers with reservations” (American Association of University Professors, American Library Association) and “key opponents” (Amazon, ProQuest, the Republics of German and France) of the settlement. There are a few interesting cases (faculty of the University of California, Committee on Institutional Cooperation, Charles Nesson et al. from Harvard) where objections or reservations are coming from institutions that have contracts with Google to scan their collections. Does make one wonder whether the people that made the agreements are having second thoughts, or whether there is just some internal disagreements.

Across the pond, JISC is soliciting feedback on the settlement.

You can find the entire text of the original settlement agreement on Google’s official Settlement administration site.

A few months ago Mick Jones (of the Clash) opened up the ‘Rock and Roll Public Library.’ (It has since moved from the gallery space in Chelsea to a new space.)  I heard about this from a friend’s (also a librarian) facebook feed. Several of the comments from other librarians were along the lines of ‘that’s not a library, that’s a museum’ … which got me thinking. When is a library not a library? Does it calling something a library make it so?

The initial commenter said that it wasn’t a library because the you couldn’t borrow the materials in it, but you can’t check out books from the Bodleian and I don’t think anyone would claim that its not a library.

The whole thing does take place in a gallery space, which I suspect makes it feel a bit like an ephemera show, and as Jones himself admits “It’s still by no means properly sorted.” No self-respecting librarian can call an un-sorted collection of rock memorabilia a library, would they?

Well, I am going to go out on a limb and say not only is this a library, this sort of thing is the future of libraries. Here’s why.

Jones says:

“It does raise questions about categorisation. Is it art? I look at it as one artwork, the whole collection – one piece of art, which I’m continually working on and updating.”

But unlike art in your typical gallery show, it’s isn’t for sale. And Jones encourages people to “engage with” the exhibits, take videos down from the shelves, leaf through books, etc. He even allows users to scan things.

This is precisely what libraries should be doing–getting people to think about categorisation (yes, like a museum), but allowing them to engage with the collections (unlike a museum) in all sorts of ways. This, I think, is library (and librarian) at its best. I hope this sort of thing catches on and we can start having more libraries that push the boundaries and get us to think (and argue) about libraries. I don’t think we librarians are doing are jobs properly unless we spark a couple of good fistfights every now and then.  This could be my favourite library since I heard about Berkeley’s Tool Lending Library.

If you have any other examples of great or unusual libraries, please send them my way.

Tags:

Yep, that’s $22,500 for each of the 30 songs that Mr. Joel Tenenbaum admitted to downloading and sharing. The jury was kind enough to lower the RIAA’s initial valuation of the damages down from the $150,000 to which they are entitled for willful copyright infringement.

The Boston University student was defended by Professor Charlie Nesson of Harvard Law School and the Berkman Center, who (in classic Charlie Nesson style) turned this into a tremendous opportunity for a group of his students (Yay Charlie!). Tenenbaum was only the second person to take the RIAA to court after receiving one of their thousands of letters. More than 30,000 others have settled their cases for between $3,000 – $12,000.

One of the things that surprises me–although I suppose it shouldn’t–is how often the public library metaphor comes up in these discussions. Mr. Tenenbaum said of downloading music, “it was like this giant library in front of you.” Supporters on his Joel Fights Back site say that calling downloading music illegal is like illegalizing public libraries. And while I in NO WAY want to defend the behaviour of the RIAA, I think this both misses the point and does a disservice to libraries. Libraries have to purchase their materials. They lend them on good faith assuming you will return them, not give them away. Too often the ‘free culture’ movement devolves into a rant about how all culture should be ‘free’ for the consumer. All you have to do is go back to Lessig to be reminded that when we talk about free culture, we don’t mean ‘that kind of free’ (from Free Culture, p. xiv):

…we come from a tradition of “free culture”—not “free”as in “free beer”(to borrow a phrase from the founder of the free-software movement), but “free”as in “free speech,”“free markets,”“free trade,”“free enterprise,”“free will,”and “free elections.”A free culture supports and protects creators and innovators. It does this directly by granting intellectual property rights. But it does so indirectly by limit-ing the reach of those rights, to guarantee that follow-on creators and innovators remain as free as possible from the control of the past. A free culture is not a culture without property, just as a free market is not a market in which everything is free.

« Older entries